Daniel Fairfax is an assistant professor in film studies at the Goethe-Universität Frankfurt, having completed his PhD in film studies and comparative literature at Yale University in 2017. His research focuses on French film theory in the post-1968 period, and for Amsterdam University Press he has been responsible for editing and translating Cinema against Spectacle: Technique and Ideology by Jean-Louis Comolli (2015) and Conversations with Christian Metz: Selected Interviews on Film Theory (1970-1991) (2017, with Warren Buckland). His monograph The Red Years of Cahiers du cinéma (1968-1973) will be published by AUP in 2019. Daniel is also an editor of and regular contributor to the Australian online film journal Senses of Cinema (www.sensesofcinema.com).